ART SG, presented by UBS, will return for its third edition in January 2025. As the preeminent international art fair for Singapore and Southeast Asia, ART SG is scheduled to take place in Singapore from January 17 to 19, 2025, with a VIP Preview and Vernissage on January 16. The program for 2025 will feature 105 galleries representing 30 countries and territories, alongside four large-scale, site-specific artworks in PLATFORM, a FILM program developed in collaboration with Bangkok Kunsthalle, and a TALKS program showcasing prominent thought leaders from the art world, including a session titled Collecting as Practice, curated by Aaron Cezar of the Delfina Foundation, in addition to solo artist talks by Mandy El-Sayegh and Korakrit Arunanondchai. Lead Partner UBS will also unveil new commissioned artwork and a novel community project.

ART SG, the premier international art fair for Singapore and Southeast Asia, is set to showcase an exemplary roster of 105 galleries hailing from 30 countries and territories for its third edition in January 2025. Under the esteemed patronage of Founding and Lead Partner UBS, ART SG will be held at the Sands Expo and Convention Centre, Marina Bay Sands, from January 17 to January 19 (2025), with an exclusive VIP Preview scheduled for January 16.

(Left to Right) Jin Yee Young, Co-Head UBS Global Wealth Management Asia Pacific and Country Head UBS Singapore; Magnus Renfrew, Co-Founder, ART SG; and Shuyin Yang, Fair Director, ART SG next to ‘Untitled, ST DD23’ by Mit Jai Inn. Image courtesy of UBS Singapore.

Shuyin Yang, Fair Director, ART SG, added: “As we look forward to ART SG 2025, we are thrilled to welcome established and emerging contemporary art galleries, artists and collectors to Singapore. Showcasing remarkable talent hailing from Southeast Asia and beyond, this edition of the fair will offer thoughtfully curated sectors and programs, as well as a city-wide schedule of dynamic exhibitions, installations, and activations.”

Jin Yee Young, Co-Head UBS Global Wealth Management Asia Pacific and Country Head UBS Singapore, said: “The Art Basel and UBS Survey of Global Collecting 2024 reveals 97% of Singapore HNW collectors were the most optimistic about the global art market and Singapore collectors ranked amongst the highest in favouring art fairs to purchase art works. As Founding and Lead Partner of ART SG for the third consecutive year, we are delighted to provide this important platform to reinforce Singapore’s rising role in engaging art enthusiasts, collectors and the public across the region. UBS has a history of supporting contemporary art and artists, and has one of the most important corporate collections of contemporary art in the world. As part of our commitment to fostering a vibrant art scene, the UBS Art Collection has commissioned Thai artist Mit Jai Inn to create artworks for the UBS Lounge and UBS Art Studio. UBS Singapore will also launch our inaugural “Art for All” community program with a 60 metre long tapestry to commemorate Singapore’s 60 years of independence. Displayed at the UBS Art Studio, the weaving of the tapestry will also be open for public participation during the fair.”

In 2025, ART SG will once again serve as the host for prominent international galleries, including Gagosian (New York, Los Angeles, London, Paris, Le Bourget, Geneva, Basel, Gstaad, Rome, Athens, Hong Kong), White Cube (London, Hong Kong, Paris, Seoul, New York), Thaddaeus Ropac (London, Paris, Salzburg, Seoul), Lehmann Maupin (New York, London, Seoul), neugerriemschneider (Berlin), Galerie Gisela Capitain (Cologne, Naples), Annely Juda Fine Art (London), Goodman Gallery (Johannesburg, Cape Town, London, New York), P.P.O.W (New York), and Cardi Gallery (Milan, London). Furthermore, this year’s edition of ART SG will present an exceptional overview of Southeast Asian artistic production, showcasing both established and emerging voices, with over 30% of exhibitors operating within the region. Notable galleries include Ames Yavuz (Singapore, Sydney), STPI (Singapore), Sullivan+Strumpf (Singapore, Sydney, Melbourne), Richard Koh Fine Art (Singapore, Bangkok, Kuala Lumpur), FOST Gallery (Singapore), Ota Fine Arts (Singapore, Shanghai, Tokyo), Gajah Gallery (Singapore, Jakarta, Yogyakarta), and BANGKOK CITYCITY GALLERY (Bangkok).

1. ArtStage Third Edition Event Announcement.
2. Ian Davenport, Mirrored Blue Light No.2 (after Perugino), 2023, acrylic on aluminium panels (with additional floor sections), 250 x 150 cm. Courtesy of Waddington Custot.
3. JC Jacinto, A Dance That Leads To The Dance, 2024. Courtesy of Artinformal.
4. Ju Ming, Taichi Series, 1999, copper, 141.7 x 51 x 74.6 cm. Courtesy of Asia Art Center
5. Nakrob Moonmanas, A Unicorn in the room, 2024, digital collage, gold leaf, giclée print on canvas, 71 x 63 x 6 cm. Courtesy of the artist and Warin Lab.
6. Suzann Victor, She Is Closer Than You Think, 2019, acrylic on canvas, acrylic frame and lenses, 202 x 202 x 15 cm. Courtesy of Gajah Gallery
7. Leslie De Chavez, _The Oracles_ (Deities for the Mystical and the Opulent), 2024, cast bronze with 18k gold-plated cast silver eyes, cast 18k solid gold necklaces, and wood base, 69.5 x 46 x 25 cm. Edition of 3 and 1 Artist Proof. Courtesy 
8. 00 Zhang, prototype 0037DLC 2025.1, 2024. Digital render. Courtesy of Gazelli Art House & the Artist.
9. Chu Teh-Chun, Eclosion tenace, 2006, oil on canvas, 65 x 81 cm. Courtesy of Waddington Custot.
   

New galleries from the region and across the globe will participate in the fair for the first time, presenting meticulously chosen artworks and thoughtfully curated exhibitions. Notable newcomers include Galerie Gmurzynska (Zürich, New York), Marc Straus (New York), Haridas Contemporary (Singapore), Baik Art (Los Angeles, Seoul, Jakarta), SUN CONTEMPORARY (Bali), INKStudio (Beijing, New York), ESLITE GALLERY (Taipei, Beijing), Cardi Gallery (Milan, London), Zilberman (Istanbul, Berlin, Miami), and Yeo Workshop (Singapore), along with artcommune gallery (Singapore), which returns after a one-year hiatus. ART SG 2025 continues to emphasize Singapore as a distinctive cultural and artistic capital, promoting exchange and dialogue within both the local art community and the global arena. Coinciding with Singapore Art Week (17 – 26 January 2025), the fair features a dynamic program developed in collaboration with cultural partners. Throughout the event, attendees will encounter four large-scale, site-specific installations as part of the PLATFORM sector; experience a curated FILM program presented in partnership with the Bangkok Kunsthalle and organized by Director Stefano Rabolli Pansera; and engage in a series of TALKS featuring prominent thought leaders from the art world, organized in collaboration with Aaron Cezar, Director of the Delfina Foundation.

New encounters with art and UBS

This close collaboration with Mit Jai Inn is an extension of UBS Art Collection’s long-standing relationships with artists. Considered one of the world’s most important corporate collections of contemporary art, the UBS Art Collection consists of over 40,000 works, most of which are displayed throughout UBS’s offices globally. In Singapore, UBS’s past commissions include artworks by Singaporean artists Dawn Ng and Hilmi Johandi, Indonesian artist Eko Nugroho, and Vietnamese-born artist Danh Vo. UBS continues to engage the local community and with the launch of the year-long “Art for All” program aims to make art accessible to everyone and advance the international conversation about art in Singapore. Magnus Renfrew, Co-Founder, ART SG, said: “Further emphasising its commitment to the region, the third edition of ART SG continues tobolster opportunities for galleries and foster dialogue within the global art market. Exceptional presentations at the fair will be complemented by vibrant activations across Singapore, a growing centre for international art communities.”

Tickets for the fair are now on sale and can be purchased at artsg.com/tickets.

ART SG PROGRAM HIGHLIGHTS
ART SG 2025 will develop across three sectors: GALLERIES, which offers diverse, multi-artist exhibitions; FOCUS, featuring galleries presenting solo or duo artist programs, or curated thematic presentations; and FUTURES, dedicated to supporting younger galleries under the age of 10 years, presenting specially created presentations for ART SG.

GALLERIES
The show’s main and largest sector – GALLERIES – will feature 56 leading international and regional galleries, showcasing multi-disciplinary presentations by represented artists, including painting, sculpture, drawing, installation, photography, video, and digital works of exceptional quality.

Highlights include:

● Lehmann Maupin (New York, London, Seoul) will feature a selection of works from across the gallery’s programme, foregrounding Asian and diaspora female artists including Tammy Nguyen, Mandy El-Sayegh, Lee Bul and Kim Yun Shin. The presentation will also include new works by David Salle, Todd Gray and Chantal Joffe.

● Waddington Custot (London) will present significant British and international artists, including late eminent British sculptor William Turnbull, husband of Singapore-born British artist Kim Lim (currently the subject of a comprehensive retrospective at the National Gallery Singapore, on until 2 February 2025). Also on display will be vibrant paintings by celebrated modern Chinese artist Chu Teh-Chun, encapsulating his mature style and dynamic use of colour; recent works by Ian Davenport from his acclaimed ‘puddle paintings’ series; and animal bronzes by Barry Flanagan, Britain’s most radical
sculptor.

● Zilberman (Istanbul, Berlin, Miami) will host a presentation of works by Carlos Aires, Isaac Chong Wai, Sandra del Pilar, Azade Köker and Sim Chi Yin. By bringing together artists from different generations and geographies, the exhibition will delve into the relationship between tradition, society and the individual, taking personal stories as a vantage point. Through a wide range of mediums, including sculpture, video, painting, and installation, this curated show will offer new ways of understanding the realities of conflict, power structures and social taboos through multi-vocal artistic practices.

● Annely Juda Fine Art (London) will present a selection of paintings and sculptures that underscore the interplay of primary colours in enhancing sculptural forms or serving as a medium of expression. Notably, a curated section dedicated to the colour ‘blue’ will feature a juxtaposition of Anthony Caro’s iconic floor sculpture Flax, alongside a 1966 wall relief by the Japanese artist Yoshige Saito, and the painting Take Us by Yuko Shiraishi. Furthermore, the gallery will exhibit David Hockney’s iPad paintings among other works by distinguished artists such as Alan Green, Nigel Hall, Anthony Hill, László Moholy-Nagy, David Nash, and Alan Reynolds.

● Ota Fine Arts (Singapore, Shanghai, Tokyo) will host a curated presentation featuring two female artists from India: Rina Bannerjee, whose multifaceted practice fuses the boundaries between East and West, and Mannat Gandotra, best known for her dynamic compositional structures exploring line, colour and form.

● Ames Yavuz (Singapore, Sydney) will present acclaimed artists from Southeast Asia in a thematic show titled ‘Kindred Spirits’. Works by Abdul Abdullah, Isabel and Alfredo Aquilizan, Elmer Borlongan, Ayka Go, Alvin Ong, and Samak Kosem will explore how memories and materials accrue over time to form complex local identities. Including a new sculptural installation by the Aquilizans, and a quietly powerful curated room of works by Elmer Borlongan, the showcase will delve into personal landscapes and themes of resilience, resistance and community.

● Gajah Gallery (Singapore, Jakarta, Yogyakarta) will spotlight a roster of critically acclaimed artists from the Philippines, Indonesia, and Singapore, including Benedicto ‘BenCab’ Cabrera, Suzann Victor, Yunizar, Jane Lee, Kayleigh Goh, Leslie De Chavez, Mark Justiniani, Marina Cruz. This diverse group of artists includes those who redefine abstract expressionism, subvert and merge two- and three-dimensional artistic practices, and search for respite amidst the noise of today’s urban life – themes that transcend boundaries and resonate with concerns of both the Singapore and global art audiences.

● Gazelli Art House (London, Baku) will display a dynamic group exhibition titled ‘Unknown & Uncontained’, featuring six pioneering artists who explore the intersection of digital media and emerging technologies. Centred on speculative communication with other forms of life – whether biological, machinic, or data-based – the theme of the presentation will invite viewers to experience newly generated worlds through various mediums, including video, sculpture, framed prints and neon. The presentation will include works by acclaimed artist Jake Elwes, while new works by Entangled Others, Xin Liu, and 00Zhang will be showcased in Singapore for the first time.

● Cuturi Gallery (Singapore, London) will showcase four young Singaporean painters: Aisha Rosli, Faris Heizer, Shen Jiaqi and Khairulddin Wahab. This generation of contemporary artists presents distinct styles and thought-provoking themes. Their work will be presented alongside pieces by three European artists: Hubert Le Gall, Lionel Sabatté and Julien Des Monstiers.

● CAYÓN (Madrid, Manila, Menorca) will present a curated selection of works by groundbreaking abstract artists, including Venezuelan Kinetic painter and sculptor Jesús Soto. In addition, two significant early works by Fernando Zóbel will showcase the artist’s transition toward abstraction; this coincides with the ongoing touring exhibitions ‘Zóbel. The Future of the Past’ (on display at the Prado, Spain, 14 November 2022 – 5 March 2023; at the Ayala Museum, Philippines, 5 September 2024 – 26 January 2025; and ‘Fernando Zóbel: Order is Essential’ at the National Gallery Singapore from 9 May – 30 November 2025). Exceptional works by Philippe Decrauzat and Sergio Garcia will also be displayed.

● Asia Art Center (Taipei, Beijing) will spotlight the creative path of three artists who represent different generations of Taiwanese art history through their contributions to contemporary sculpture in the Chinese-speaking world and their increasingly sophisticated explorations in the field. Yuyu Yang’s Taroko Landscapes Series, Ju Ming’s Living World Series and Li Chen’s Ethereal Cloud Series will be shown supplemented by the well-known Calligraphy Series, Taichi Series and Spiritual Journey through the Great Ether from the artists respectively.

● Gana Art (Seoul, Los Angeles) will host an exhibition titled ‘Odyssey on Memoria’, featuring four contemporary artists who offer a profound exploration of memory and identity through diverse artistic expressions. Shim Moon-seup draws inspiration from the seas of his childhood in Tongyeong, evincing a profound connection with the natural world. Influenced by Dante’s Divine Comedy and informed by a deeply personal tragedy, Ho Jae Kim’s artworks delve into the concept of purgatory. Also drawing from personal traumas and existential inquiries, Shiota Chiharu explores themes of life, death, and identity through installations that use thread skeins resembling blood vessels to symbolise the interconnectedness of existence and the search for self-identity. Park Sukwon, renowned for his abstract sculptures, conveys his life’s trajectory and memories through towering structures that ascend skyward.

● Goodman Gallery (Johannesburg, Cape Town, London, New York) will show a group presentation that reflects their artists’ institutional program across this year. Works by Yinka Shonibare CBE RA will examine the relationship between Africa and Europe, speaking to the persistence of colonialism and its legacy. Shonibare had a major solo show at the Serpentine this year, the first at the institution in 20 years. Kapwani Kiwanga’s work is research-driven, instigated by marginalised or forgotten histories, and articulated across a range of materials and mediums including sculpture, installation, photography, video, and performance. Her inclusion follows the opening of the 2024 Venice Biennale where her solo ‘Trinket’ is the presentation for the Canadian Pavilion. Misheck Masamvu’s work moves between abstraction and figuration, allowing him to address the past while searching for a way of being in the world. His inclusion follows his participation in ‘Translations: Afro-Asian Poetics’ curated by Dr Zoe Whitley in Singapore earlier this year at The Institutum.

FOCUS
Featuring 36 presentations, FOCUS spotlights galleries showcasing focused and curated programs with an emphasis on the development of artistic practices, the exploration of different mediums, especially digital art and new media, and emerging to mid-career artists.

Highlights include:

● A group presentation by The Drawing Room (Manila) highlighting three artists, Diokno Pasilan, Ged Merino, and Cian Dayrit, whose practices explore the Filipino diasporic experience, reflecting on transitory identity and belonging through the lenses of memory, community and location.

● A Hopeless Hope (2025), the latest series by Thai artist Naraphat Sakarthornsap, will be displayed by SAC Gallery (Bangkok). Renowned for his conceptual installations and photographs that use floral arrangements and traditional garlands to highlight hidden inequalities, Sakarthornsap questions social structures and platforms queer experiences in Asian cultures.

● ‘Emerging Mediums’, an experimentally curated presentation by HOFA (London), will feature works by Sougwen Chung, Emily Xie, Wang Ziling, Eser Gündüz, Hannes Schauer and Vladinsky. This exhibition will explore the intersection of human and machine creativity, the transformation of painting as a medium, and the AI and algorithmic processes used to craft complex, textured patterns that blur the line between the digital and the tangible.

● A solo show by Yeonsu Ju, inspired by the Korean mourning ritual of Gijesa, will be presented by HdM Gallery (London, Paris, Beijing). In this Confucian tradition, people honour their ancestors with food offerings on the anniversary of their death. In her work, Yeonsu Ju reimagines this cultural practice as an imaginary space where one can meet absent loved ones through the ritual of painting.

● LEE & BAE (Busan) will host a group exhibition by five international artists: Connie Harrison, Yowshien Kuo, Hugo McCloud and Zéh Palito. Titled ‘On Further Observation’, this presentation will invite viewers to pause and re-examine the works on display, to find hidden detail or nuances made more evident by the contrast between the works themselves.

FUTURES
FUTURES, a specialized sector dedicated to the support of emerging galleries established within the last decade, will feature 11 galleries that present exhibitions specifically curated for ART SG. These exhibitions will have been developed in the preceding 18 months and will not have been showcased previously in any gallery or institutional context.

Highlights include:

● In its inaugural participation at ART SG, Haridas Contemporary (Singapore) will present a new sculpture by Singaporean artist Melissa Tan, titled The Fates: Klotho, Lachesis & Antropos. This monumental work, the largest in Tan’s distinguished metal sculpture series initiated in 2018, examines the concept of womanhood through a mythological lens. The exhibition will also feature other artists such as Esmond Loh and Jeremy Sharma.
● Warin Lab Contemporary (Bangkok) will showcase two emerging artists, Nakrob Moonmanas and Eri Imamura. The collaborative exhibition titled A World in Parallel aspires to challenge conventional perceptions of historical and contemporary narratives, reflecting on the complexities of memory and the fluidity of truth within the realm of art.
● Featuring a solo exhibition by Chinese artist Jin Han, Mandy Zhang Art (London) will highlight a new series of oil paintings and woodcuts that explore the theme of ‘aether’. This concept, articulated by Aristotle as part of the ‘five elements’, identifies aether as a fifth element alongside water, fire, air, and earth.

PLATFORM
Featuring five artists from diverse backgrounds and generations, PLATFORM presents a carefully curated exhibition of dynamic, large-scale, and site-specific installation and performance artworks across the fair. This section comprises:

● Miya Ando’s Moon Ensō (Engessō 円月相) (2024), an installation comprising 29 panels of printed silk chiffon that represent a complete lunar cycle, depicting all phases of the moon. The imagery is based on Ando’s Moon Almanac, a series of 1,345 small drawings in natural indigo dye on washi paper, created daily over 2.5 years during the Covid pandemic in New York City. This work is presented by Sundaram Tagore Gallery.

● Comprising three canvases, Khairulddin Wahab’s The Lands Below the Winds (2024) intertwines narratives drawn from historical geography and maritime history. The work addresses Southeast Asia’s profound relationship with water, exploring the dual nature of water as both a destructive and life-sustaining force, as well as its role as a barrier and conduit to the broader world. This piece is presented by Cuturi Gallery.

● Shavonne Wong’s Eva (2024) constitutes a social experiment and performance artwork, examining the complex and evolving relationships between humans and AI companions. As an interactive chatbot embodied by a 3D virtual character, Eva serves as a reflective mirror for society’s genuine thoughts and sentiments concerning artificial intelligence. This work is presented by The Columns Gallery.

● A part of Pablo Reinoso’s renowned ‘Spaghetti Bench’ series, Promenade Chambord (2022) reinterprets the familiar yet anonymous public bench. Reinoso’s bench sculptures have been installed in several public settings, including next to the River Thames in London and on the south terrace of the Elysée Palace in Paris. The artist’s works are included in public collections worldwide, such as the Société des Amis du MNAM, Centre Georges Pompidou in Paris, the Fonds national d’art contemporain in Paris, the Musée des Arts Décoratifs in Paris, the Museo de Arte Moderno de Buenos Aires, and the Museu de Arte Moderna de São Paulo in Brazil. This work is presented by Waddington Custot.

● Mella Jaarsma’s performance piece Surat Terakhir / Last Letter draws inspiration from the letters, messages, and postcards exchanged between Indonesia and the Netherlands in the 18th and 19th centuries. This installation reflects on colonial relationships, obsolete communication methods, and the deeply personal narratives encapsulated within such handwritten correspondences, and will be performed on one of the days of the fair. This work is presented by Baik Art.

FILM
ART SG is pleased to announce the appointment of Stefano Rabolli Pansera, Artistic Director of the St Moritz Art Festival and Founding Director of Bangkok Kunsthalle and Khao Yai Art Forest, as the curator for the FILM program of ART SG 2025, in partnership with cultural partner Bangkok Kunsthalle. This program will feature a selection of film, video art, and moving image artworks that will showcase new artistic practices and highlight groundbreaking figures within these mediums. For 2025, an innovative curated section, By Artists, On Artists, will present a selection of film and video works created by artists, in conjunction with films that focus on the lives and careers of prominent artists. This section will unfold across three chapters: Constructing Landscapes, Voices and Signs, and Ruins and Memories, providing audiences with fresh insights into contemporary art practices across various histories and disciplines. Stefano Rabolli Pansera, an architect and curator, possesses an extensive background, having collaborated with Herzog de Meuron in Basel from 2005 to 2007, followed by a teaching stint at the Architectural Association School of Architecture for six years. He subsequently founded Beyond Entropy Ltd, a curatorial agency operating in Africa and Asia. In 2013, he received the Golden Lion for best national participation for the Angola Pavilion at the Venice Biennale. Pansera designed the Mangiabarche open-air gallery and directed its exhibition program at the MACC Museum in Sardinia in 2015. From 2017 to 2022, he held the position of director at Hauser & Wirth Gallery in London and St Moritz. Since 2022, he has headed Bangkok Kunsthalle, transforming the museum into a dynamic architectural model featuring exhibitions by Michel Auder, Korakrit Arunanondchai, and Yoko Ono. Khao Yai Art Forest, an institution aimed at advancing and supporting artists’ visionary projects within nature, is set to open in January 2025.

TALKS
Returning for ART SG 2025, the TALKS program, supported by AXA XL, will offer a diverse series of engaging discussions that delve into a spectrum of contemporary art themes and issues, including the Bangkok Art Biennale, the interplay of performance and art, the relationship between art and artificial intelligence, and the contemporary landscape of film and moving image practices. The program will also emphasize Singaporean art, celebrating the rich artistic landscape of the region. Led by director Aaron Cezar, the Delfina Foundation (London) will collaborate with ART SG to develop a series of programs centered around collecting, philanthropy, and the establishment of private foundations. Drawing inspiration from the Delfina Foundation’s pioneering program Collecting as Practice, which investigates the philosophy, psychology, and politics of collecting, three critical discussions will be presented at ART SG 2025, examining the essential role of collectors in shaping artistic regional development. Additionally, ART SG will feature artist talks by significant emerging talents from Southeast Asia who have made notable international contributions, including London-based and Malaysian-born painter and mixed media artist Mandy El-Sayegh, as well as Thai multi-disciplinary artist Korakrit Arunanondchai, who in 2024 presented a major installation at the Bangkok Kunsthalle entitled nostalgia for unity, and is currently conducting an ongoing solo exhibition at Museum MACAN in Jakarta titled Sing Dance Cry Breathe. Korakrit is also the founder of Ghost, a triannual video and performance art series set to return for its third and final edition in 2025. Over the past 15 years, Aaron Cezar has established the Delfina Foundation as a hub for creative talent, forging partnerships with leading international institutions. He has also developed the Foundation’s innovative thematic programs such as Collecting as Practice, which represents the inaugural integrated residency program for both collectors and artists. In addition, Cezar has curated external exhibitions, performances, and programs at notable venues including the Hayward Gallery Project Space, SongEun Artspace, ArtBo, and Art Dubai, among others. As part of the official public program for the 58th Venice Art Biennale, he conceived the opening week and final weekend performances with Ralph Rugoff. Cezar has also moderated high-profile discussions at conferences and art fairs, including Art Basel, Frieze, and Art Brussels. He serves as a Strategic Advisor to Asymmetry Art Foundation and Kunsthalle Praha, and holds positions on numerous boards and committees.

MUSEUM SHOWS, PRIVATE FOUNDATIONS AND COLLECTIONS, AND ART SG CULTURAL PARTNER SHOWS

**PRIVATE FOUNDATIONS
**● The Pierre Lorinet Collection: « Space »
Organized by Art Outreach Singapore (Cultural Partner)
Curated by Edward Mitterrand
New Bahru, 10 January to 2 February 2025

● TAF Symposium ‘Soul Song of a New Organisation’
Tanoto Art Foundation (TAF)
14 January 2025, 9am – 6pm

MUSEUMS EXHIBITIONS
● Kim Lim: The Space Between. A Retrospective
National Gallery Singapore
27 September 2024 to 2 February 2025

● Teo Eng Seng: We’re Happy. Are You Happy?
National Gallery Singapore
6 September 2024 to 2 February 2025

● Everyday Practices
Singapore Art Museum
30 August 2024 to 20 July 2025

● Yee I-Lann: Mansau-Ansau
Singapore Art Museum
4 December 2024 to 23 March 2025

● Robert Zhao: Seeing Forest
Singapore Art Museum
15 January to 16 May 2025

OTHER EXHIBITIONS AND EVENTS
● Of Dreams and Contemplation: I am All but a Story – Selections from the Collection of
Richard Koh
The Private Museum
9 January to 9 March 2025

● Of Milk and Water: Pinaree Sanpitak + Ivan Brehm
A Breast Stupa Cookery Experience
Nouri
16 January and 18 January 2025

ART SG 2025 | Dates & Times

VIP PREVIEW (BY INVITATION ONLY)
Thursday, 16 January | 2pm – 5pm

VERNISSAGE
Thursday, 16 January | 5pm–9pm

GENERAL ADMISSION
Friday, 17 January | 12pm – 7pm
Saturday, 18 January | 11am – 7pm
Sunday, 19 January | 11am – 5pm

For more information about ART SG:
Website: artsg.com
Instagram: @art.sg
Facebook: @artsgfair
For more information about the Singapore Art Week:
Website: artweek.sg
Facebook, Instagram, Telegram: @sgartweek