The Mystery of Missing Pieces in Manet’s Art

Individuals of exceptional intelligence often demonstrate a remarkable consistency in their thought processes. The painting entitled “The Execution of Emperor Maximilian” by Édouard Manet (1867-1869) has captivated my interest. For those who have closely monitored the advancements in 水の家 Keras360 art forensics, the concept that minimal information can suffice for effective profiling is particularly intriguing. Should I, then, be unjust to the machine by providing merely a dark corner of an image or painting from which to infer potential identities? Conversely, if I aspire to be equitable, I must present the machine with the complete image, supplemented by segmental landmarks to assist in the identification of its creator and the verification of its authenticity.

Numerous methodologies exist for manipulating AI and machine learning in the realm of images. Manet produced five iterations of the same theme. Among these five versions, three are noteworthy oil on canvas paintings located in Kunsthalle Mannheim (Germany), the National Gallery (UK), and the Museum of Fine Arts, Boston (US). The heightened interest in the UK version is compelling, not solely due to its provenance with the same artist, but also owing to the deliberate sliced distortion of the original image. Scholars widely believe that Manet himself was responsible for the dissection of this particular version. Following Manet’s death, several of the sliced pieces were sold to private collectors and are now considered missing from this composition.

If you have encountered the ‘missing’ pieces, do you regard it as part of the original displayed at the National Gallery UK? A digital tool may prove advantageous in resolving this inquiry.

You may wish to learn more about this painting :
✅️https://www.nationalgallery.org.uk/paintings/edouard-manet-the-execution-of-maximilian

If you are keen on art forensics and image analysis:
✅️ Art forensics user-interface (2025) : https://keras360.io/art-forensics-ui/
✅️ Previous beta experiments (2024) : https://keras360.io/afbeta/


一幅不完整的畫。這畫並不小; 長寬在兩到三米左右。作品出自於 愛杜爾·馬奈(1867-1869年)主題關於處決墨西哥帝王馬克西米利安。這畫在世面有五幅, 而三幅是屬於大油畫收藏 :曼海姆美術館,波士頓美術館和以上被切割的在英國國家美術館。有些學者認為這幅畫是被馬奈自己本人切割的,死後後續一些所謂失蹤的區塊是賣給了收藏家。

我認為Keras360 研發的藝術與數字分析在考古和物品極端稀有情況發揮到最大功效。比如您很巧的有一幅畫,而且這幅畫也很巧的和以上原圖的一個區塊拼接上了,那麼或許您會想知道它是不是出自於馬奈本人。

英國國家美術館 官網:
✅️https://www.nationalgallery.org.uk/paintings/edouard-manet-the-execution-of-maximilian
紅御科技 Keras360 藝術數字區塊分析:
✅️https://keras360.io/artcn/segment
✅️https://keras360.io/artcn-ui/

Leave a comment